Here’s the text and slides if you don’t feel like watching it all…
Capturing the Graffiti Impulse Without the Cliché
Installation view of Saber’s paintings at Opera Gallery (all photos by the author for Hyperallergic…
Editor Stephanie Cardon interviews MassArt undergrad Leah Medin on her piece, The Gold Divide, which was installed the morning after the Boston Marathon bombings [continued at Big Red & Shiny…]
|—||Natalia Goncharova, 1912 (via spoliamag)|
Posted by @mrmichaelme on fb.
More I think about it, the more I like it better than Estar Guars.
Have you seen this, @cmonstah?